Thursday, April 15, 2010
There's a large collection of amazing artwork created by Studio Artist user Charis Tsevis available for your viewing pleasure on Flickr. Charis is a master of using movie brushes to create photo mosaic effects in Studio Artist. His new experiments using Studio Artist to create NeoCubism effects are also pretty cool.
Charis's artwork is widely used in advertising and commercial illustration. Charis also teaches at the AKTO College of Art and Design in Athens Greece. You can check out Charis's artwork via this link.
Wednesday, April 14, 2010
This tutorial continues our recent series delving into the secrets of fine tuning auto-regionizing paint effects using the Studio Artist 4 paint synthesizer. In this post we'll be examining different fill strategies for auto-painting in individual regions. The example above was created by using 3 different auto-regionization action steps incorporated into a paint action sequence to build up the final paint styling.
The automatic regionization effects discussed in this tutorial are all created using the path start regionize generator options available in the Path Start control panel of the paint synthesizer. The path start control panel specifies how individual paint strokes are initially positioned in the canvas.
The path start regionize generator options are unique, in that they first intelligently analysis the current source image, breaking it up into a series of individual regions for painting. So in addition to generating a series of start points they also generate a series of region outlines that can then be filled in using the controls in the Path Shape control panel.
For the examples below we'll be using an Adaptive Block Regionize DM path start generator. This particular regionize generator produces a series of rectangular regions that are adaptively positioned and sized to represent the source image. We're using the DM option to then additionally split the blocks to better reproduce the source image details.
As discussed in the previous tutorial post, there are 2 Path Type parameter options in the Path Shape control panel that are specifically designed to be used with path start regionization effects. These are the Path Start Regionize and Path Start Regionize Use RegionDraw Pen Mode path type options.
Path Start Regionize Shape Types
We'll start by examining the different options available using the Path Start Regionize path type. This path type is specifically designed to be used with path start regionize generators, and will not do anything useful when used with other path start generators that don't perform adaptive regionization. When you select this particular path type you are presented with some additional editing controls that allow you to determine different fill patterns for painting in each generated region.
The simplest region pattern type is outline, which just generates a path for the region outline with no internal fill patterning. As seen in the example below, using this option generates a preset that only paints in the outlines of the individual path start regions.
This example is useful to get a sense of how the adaptive block regionize path start generator is breaking apart the source image of a face into different individual regions. Because we used the DM option we can also see how the individual rectangular blocks were additionally split to better reproduce the original facial features in the source image we are using for these examples. By working with the Max Stroke count and the Block Option controls in the path start control panel we could adjust the number of generated regions and how they are adaptively positioned.
Most of the Region Pattern Type options specify some kind of internal fill pattern for painting in the individual regions. The Hatch1 option shown in the example below fills in the regions with a one-dimensional hatching pattern.
The spacing between hatch lines is determined by the Region Pattern Spacing control. Depending on the size of the source brush you are painting with you can adjust this parameter accordingly. For this example we left some blank space between hatch lines, but by using a larger brush size or a smaller region pattern spacing we could introduce overlap between the individual painted hatch lines.
The Path Angle control panel settings also influence the appearance of the generated fill patterning. In this particular example above the orientation of each regions hatch patterning is determined by the Path Angle option, which is set to Orient. This setting means that the angular orientation of each hatching pattern is trying to best match the associated local visual orientation of the source image.
Outline Fill is another popular region pattern type, and is shown in the example below. Outline Fill paints in the entire region starting with the outer boundary and then moving inward towards the center with progressively smaller internal boundary circling.
Path Start Regionize Use RegionDraw Pen Mode Gen Shape Types
The other path type associated with path start regionization is the Path Start Regionize Use RegionDraw Pen Mode Gen path type. When you select this particular path type, the generated region fill patterning will be based on the current settings of the RegionDraw pen mode controls, which are located in the Pen Mode control panel.
RegionDraw pen mode normally works by having a user interactively draw a local region with the pen, either by extending an ellipse or rectangular shape, or by working with a temporary lasso pen line. After the interactive region is specified, it is then painted in with an algorithmically generating path pattern. The fill pattern is specified by the Region Fill Type and Region Spacing controls in the Pen Mode control panel. These same controls specify the region fill patterning when used with the Path Start Regionize Use RegionDraw Pen Mode Gen path type.
The example below shows off using the ellipse edge scribble fill option for the region fill type parameter.
Region Draw as Pen Solid Fill
Up until now we have been discussing different strategies for painting in path start regions with paint paths following various fill patterns. However, there's an entirely different approach you can take when generating automatic regionization paint effects where each generated region is filled like it is a single brush nib. So the region can be thought of as a solid area fill, as opposed to a collection of individual fill paths painted in with paint on a brush following the path lines. To do this you want to take advantage of Studio Artist's Region Fill as Brush pen modes.
The Region Fill as Brush and Auto Region Fill as Brush pen modes work very differently than the other Studio Artist pen modes. Most pen modes generate a painting path and then fill it in by painting over the internal generated path with a series of nibs of paint. This emulates a paint brush filled with paint following a painting path over an area to distribute paint onto a canvas.
Region Fill as Brush treats the initially drawn path as the outline of a specified region. The region is then filled with a single brush nib whose shape is the specified region. So when used with path start regionization this pen mode will treat each of the generated regions as a single dynamic brush that is filled based on the settings in the Region Fill as Brush control panel. One example of this kind of path start regionization is shown below.
This example uses the default region fill as brush control panel settings, so each of the generated path start regions is filled with solid color. For this simple example we used the Outline region pattern type option for the path start regionize path type used in the outline painting example above. Because we are using the region fill as brush pen mode, the generated outline path is used to define a solid fill region as opposed to defining a painting path.
By working with the different controls in the region fill as brush control panel, and by selecting different path type options for building the fill paths for each path start region, you can generate a wide range of different paint effects that are very different than the more conventional paint in each region with a fill pattern examples we've shown up until this point.
The example above shows off using the Ragged Feather and Inverse Radial Gradient processing options in the region as brush mode control panel. This example also uses a stylized region generator to distort the initial shapes of the auto-generated regions. The other example below shows off using a Linear Gradient processing option with a rectangle generator.
The first example at the very top of this post used 3 different applications of auto-regionization using the region fill as brush pen mode to build a more sophisticated aesthetic painting style. By working with multiple passes of auto-regionization effects and working with the different regionization approaches discussed in this tutorial you can create an immense range of different potential stylistic effects.
The region fill as brush options detailed above are particularly effective for building watercolor effects. This pen mode also offers dual paint options that allow for an initial solid coloring of a region followed by a second application of conventional paint nibs along the region outline path. So you could fill with solid color and then automatically apply a water wash to the region edges.
For More Information
The first tutorial in this series, which focuses on editing strategies for building paint regionzation effects is available here.
The Paint Synthesizer chapter in the Studio Artist User Guide pdf includes detailed descriptions of all of the various paint synthesizer editing controls discussed above.
Some of the paint action sequence (PASeq) presets used in this tutorial are available for download here.
Sunday, April 11, 2010
The Studio Artist 4 paint synthesizer is capable of creating an extremely wide range of different paint styles. This post is going to focus on discussing some editing techniques you can use to fine tune the appearance of Path Start Regionization painting effects.
Path Start Regionization is an intelligent process where Studio Artist visually analyzes a source image, breaking it up into a series of individual regions that are then painted in one by one to build a finished painting. This is in contrast to the more normal paint synthesizer path generation techniques that focus on selectively adding individual paint strokes one by one across the entire image to build a painting over time.
The Studio Artist paint synthesizer intelligently chooses starting points for paint strokes, builds a drawing path for the stroke, then paints in the generated path by applying nibs of paint on a virtual brush to the canvas while following the path. We'll follow this series of conceptual steps that are happening internally in the paint synthesizer to generate a painting below, detailing some editing options you can work with to fine tune the visual appearance of regionization painting effects.
Breaking the Image into Regions
There are a number of different Path Start Generators that can be used to build regionization effects. They include the Watershed, Adaptive Block, Color Simplify, Cellular, Cell Partition, and HV Partition Regionize generator options in the Path Start control panel.
Each of these regionize path start options first intelligently analyze the source image, and then split it into a series of individual regions. Each approach generates a different characteristic visual look associated with how the individual regions are laid out to partition the image. The best way to get a feel for what they do is to try them out on a source image and see how they break it apart. You can work with the Max Stroke setting to vary the number of generated regions.
Most of these generator options are available with a normal and DM variation. The DM variations provide a tighter rendition of the source image, and work by breaking each initially generated region into 2 pieces. The region splitting is an additional intelligent process that tries to split each region in a way that best reproduces additional detail in the source image. Using the DM regionize generator options is a way to generate a tighter rendition of the original source image in the final painting.
Generating Paths to Fill the Regions
Each generated region can be painted in with a variety of different region fill patterns. How the region is filled in when painting is a function of the Path Shape control panel settings.
For path start regionization painting effects you will want to use a Path Type set to either the Path Start Regionize or Path Start Regionize Use RegionDraw Pen Gen options. These are special path shape generators that are especially designed to fill the generated path start regions. Each one has a number of additional editing options associated with it that determine the visual appearance and style of the resulting paint path region fill pattern.
The Path Start Regionize Use RegionDraw Pen Gen option uses the RegionDraw pen mode Region Fill Type patterning to fill the generated region. For all of the examples in this tutorial we're using the Outline Fill pattern type for the Path Start Regionize path type. This fill pattern draws a series of concentric outline paths that move from the region boundary inward to fill in the complete region with paint.
Depending of the brush size you are working with, you will probably want to adjust the Region Pattern Spacing accordingly. This option set the spacing between adjacent region fill paths. Adjusting this parameter lets you set the amount of paint overlap or the gap in paint associated with the region pattern fill. If you are working with multipen mode then the spread of the multipen virtual brush is another factor to take into account, since a multipen is composed of N individual source brush nibs virtually spaced to simulate a wider brush with individual bristles.
Painting the Region Paths
You can turn any paint preset into a paint regionization effect by using the Path Start and Path Shape options described above. However, there are additional editing techniques you can use to fine tune the visual appearance of the resulting painting. Depending on your aesthetic goals you may want to build additional detail in your painting, or perhaps go the other direction and go for a more blocky abstract look. You also have a wide range of different coloring options that can be used to emulate different impressionist coloring styles, map a painting to a particular aesthetic color palette, accurately reproduce your original source colorings, or to go boldly where no one has gone before.
The paint synthesizer automatically sets the current region selection to temporarily match each of the individual regions it is painting. This means that you can take advantage of any paint synthesizer modulation settings that work off of the current region selection to mask or otherwise influence the appearance of each individual region as it's painted in a variety of different ways.
We'll work through a series of examples below using the same source image and adaptiveBlock regionization generator. The adaptiveBlock generator breaks the source image up into a series of adaptively positioned rectangular blocks. The regular nature of this region generation process will be useful as an aid to see how the various masking options we will be discussing below affect the appearance of the finial paintings. Other generator options like the watershed regionize can break the image into regions that more closely map the source image contour areas of local color and shape. We'll be using the DM variation of this generator for most of the examples, which as previously explained breaks each rectangular region into 2 pieces to better reproduce source image detail.
If you want a really tight rendition, you can mask each of the individual paint nibs to the current path start region. You can do this by using the if Region option for the Nib Masking parameter in the Paint Fill Apply control panel.
As seen in the example below, this leads to a very hard masking effect, since each individual paint nib is hard masked when it's at the edge of the current path start region being painted in.
Sometimes this may be just what you are looking for, but there are other approaches to region masking that can lead to a smoother and more natural painted appearance. Path masking (as opposed to nib masking) leads to a more natural appearance for a painting because the drawing path will matchup to the region boundaries but the entire brush nib will paint at the border of the region.
Using the Path End controls is one approach to masking a paint path, but those controls stop the path generation process. What we want is to mask a paint path when it's outside of a region boundary but to not end painting the path if a boundary is crossed (since the path may come back into the region again if it has a complex shape).
So what we're looking for is a Path Application control panel modulator. Fortunately there is one. The Probability option in the Path Application control panel has a Current Selection option. Using this will mask each generated region path so that in any places where it moves outside of the region boundary, painting will be auto-masked.
Again, we're masking the entire application of the paint nib along the path with the controls in this panel, so the entire paint nib will draw at the region boundary. As you can see in the example below, the appearance of the finished painting is more natural than the previous example that uses hard nib masking.
If we turn off the current selection probability masking and the nib masking and let the full regions draw, we get the following looser painted appearance below. Again, we're still using the adaptiveBlock DM path start generator and an outline fill path shape patterning.
To make the paintings appearance even more abstract, we can switch from the adaptiveBlock DM path start generator to the adaptiveBlock generator. Remember that the DM option means that the original region is split into 2 pieces that try to accurately reproduce the source image features. Removing the DM option for this adaptiveBlock regionize generator means that we get rectangular blocks with no additional splitting as shown below. Note how this final image has a very abstract appearance, and has lost a lot of the source image detail seen in the previous examples.
In the proceeding section we moved from an initial very tight representation of the source image through a series of looser more natural paintings to a final very blocky and abstract painted appearance. So it should be obvious that by working with the paint synthesizer editing controls discussed above you have an extremely wide range of personal control over the appearance of regionization paint styles. There are also many more editing options available to you in the Studio Artist paint synthesizer for customizing the appearance of your digital paintings.
All of the examples above used the same individual oil paint preset, which is just one of the thousands of factory paint presets available to you in Studio Artist 4. By working with different kinds of paint presets you could radically change the visual appearance of the path start regionize painting process.
We also used a Max Saturation Color Mode option in the Paint Color Source control panel to give a more impressionistic look to the simulated oil paintings. By adjusting the individual controls in the Paint Color Source and Paint Color Modulation control panels you could radically change the coloring appearance of your oil painting. Or by choosing different factory paint preset or designing your own you could emulate an infinite number of different artistic media styles and resulting visual aesthetics.
For More Information
Here's a Studio Artist 4 tip that discusses Paint regionization.
Here's a link to some downloadable Studio Artist 4 paint presets that emulate some of the paint regionization styles discussed above.
The Paint Synthesizer chapter in the Studio Artist User Guide pdf includes detailed descriptions of all of the various paint synthesizer editing controls discussed above.